Floor 3

entry: General Conditions

ADRIANO SOUSA LOPES 1879 -1944. Effects of light

Adriano Sousa Lopes

Curatorship: Maria de Aires Silveira e Carlos Silveira
Adriano de Sousa Lopes (1879–1944) was one of the first Portuguese artists to adopt post-Impressionist techniques. His interest was first sparked by fantastical legends and epic moments of Portuguese history, and he drew inspiration from the Symbolist aesthetic. Having been granted a scholarship to study in Paris in 1903, he fell under the spell of Impressionism and artists such as Monet and Besnard. Through visits to museums and on journeys around Europe, he developed a unique artistic approach that is reflected in the extensive series of works that he made in Venice.

A historical painter by training, he enrolled as an official artist for the Portuguese Expeditionary Corps in World War I (1914–18). He witnessed and recorded various dramatic episodes and devastated landscapes in his remarkable etchings, moving drawings and tragic paintings.

In the 1920s, his superb series of portraits of Marguerite Gros, his wife, ensured his status as a notable portrait painter of women, putting him at the heart of Portuguese Modernism, although he did not fully espouse this movement. During this period, Sousa Lopes created impressive series of works featuring light at different times of the day, exploring the depiction of the movement of waves, and the toil of the fishermen in specially chosen settings – landscapes of the Portuguese coast, around the beaches of Caparica, Nazaré, Aveiro and Furadouro.

Sousa Lopes succeeded Columbano as the director of the Museu Nacional de Arte Contemporânea between 1929 and 1944. He worked on the expansion of the museum and pursued an acquisitions policy that concentrated mainly on 19th-century pieces, but also incorporated the work of Modernist artists for the first time.

The collection of the MNAC-MC includes a considerable number of pieces from the key stages of Sousa Lopes’ work, and this is the museum’s first monographic exhibition dedicated to the artist that was once its director. It features around 100 works, including paintings from the Musée de l’Armée in Paris that have never been displayed to the public before, but are key to understanding the artist’s sensitivity and his expressive realism.


Maria de Aires Silveira


    2015-07-17 19h00
    Opening of the exhibition "Sousa Lopes 1879-1944. Efeitos de luz"
    2015-07-31 14h49
    Guided tour by Fernando Rosa Dias
    2015-09-10 18h30
    Guided tour by Maria de Aires Silveira

    2015-10-01 18h30
    guided tour with Carlos Silveira
All Activities 3

On Exhibition

not available

Curatorship: Maria de Aires Silveira e Emília Ferreira
not available
Temporary Exhibition

CAIS Urbana

Curatorship: Mistaker Maker
the 25 years of the Association CAIS
Temporary Exhibition

Inês Norton. Please do (not) touch

Curatorship: Adelaide Ginga e Emília Ferreira
Inês Norton exhibition, reminds us of the urgency of regaining full consciousness of our body. At the cost of surely losing touch with the essence of what it means to be human
Solo show

not available

Curatorship: Adelaide Ginga
The CT1LN project, by Henrique Vieira Ribeiro, has been in development since 2014 and consists of the artistic interpretation of a collection accumulated over the course of four decades by amateur radio personality Paulo V.
Solo show

Rui Macedo. (In)dispensable or Painting that Unsettles the Museum’s Collection.

Curatorship: Emília Ferreira
Reminding us that an artist is a hunter-gatherer, a collector of meanings, forms, problems and proposals, this exhibition highlights the fact that a museum is a place of constant and unsettling discovery.
Temporary Exhibition


Curatorship: Maria de Aires Silveira, Emília Tavares, Emília Ferreira
The current exhibition of the collection covers a sizeable part of its temporal arc, from the mid-19th century to the 1980s, occupying the entirety of the galleries in the Museum wing located in Rua Serpa Pinto.
Collection exhibition