2nd Floor

entry: General Conditions

Modern Art in Portugal 1910-1945

2009-03-27
2009-06-21

Modernism appeared in Portugal in the wake of the 1910 Republican Revolution and as a result of the Paris-based Portuguese artists and the growing exchange of information and contact with the emerging avant-garde that this situation produced. The literary generation, which revolved around Fernando Pessoa and the magazines Orfeu and Portugal Futurista, also provided the Modernist movement with very important breadth and depth. Amadeo de Souza-Cardoso, based in Paris, was the only Portuguese artist to take part in some of the major exhibitions of the international avant-garde. With the outbreak of the First World War he went into exile in his own country, accompanied in 1915 by the Delaunays, and died prematurely in 1918.

After the war, Portuguese artists resumed their temporary stays in Paris but did not make any notable contributions to exhibitions or new experimental work. To Portugal they brought a conservative modernity, very different from the avant-garde. In the words of Almada Negreiros, the local artistic context was still “a hopeless misunderstanding”. Dominated by an outmoded and outworn naturalism, it was only in the mid-1930s that the country experienced a superficial assimilation of modernity. This was defined at the time by António Ferro, its official promoter, as being within the limits of an “indispensable equilibrium”, with no “incompatibility between an aware authoritarian regime and modern art”.

At the same time there was a reformulation of modernism, with new ideas being taken up by the international avant-garde movements to which certain artists belonged. António Pedro resumed his exploration of the relationship between words and space, which had started with the Orfeu generation, and then produced his first surrealist paintings. Vieira da Silva was the leader of the Second School of Paris, developing an abstraction of ambiguous spaces produced by the fragmentation of light. The early 1940s were also marked by the profound change in Almada Negreiros’s work following the frescoes he produced for the Alcântara and Rocha do Conde de Óbidos maritime stations.

Artists
 
Almada Negreiros
Amadeo de Souza-Cardoso
António Pedro
António Dacosta
Carlos Botelho
Dórdio Gomes
Eduardo Viana
Ernesto Canto da Maya
Francisco Franco
Maria Helena Vieira da Silva
Mário Eloy

+ Info

On Exhibition

The c(AI)rcles’s Pentagon

By Gencork | Sofalca

2025-05-28
2025-06-26
Curatorship: Portugal Faz Bem
The design/art installation - The c(AI)rcle´s pentagon, which explores the connection between artificial intelligence, (re)generativedesign, art, and sustainability
Solo show

Caminhos

Millennium bcp Collection

2025-05-16
2025-08-24
Curatorship: Emília Ferreira, Regina Branco e Joana d’Oliva Monteiro
he vital need for contact with nature, also advocating movement as the essence of life, inspired by the thought of the writer and naturalist Henry David Thoreau
Temporary Exhibition

THE WHITE MAN'S BURDEN

João Fonte Santa

2025-04-10
2025-07-03
Curatorship: Lúcia Saldanha e Rui Afonso Santos
With an extremely relevant body of work in painting, drawing and illustration, João Fonte Santa analyses and dissects the heavy legacy of European colonialism, particularly in the case of Portugal.
Solo show

ALDEBARAN FALLEN TO THE GROUND

2025-03-13
2025-06-22
Aldebaran Fallen to the Ground is a series of shaped paintings, with irregular, organic contours. The intensity and incidence of light intrude on the viewing of those (most of them) faces, painted in oil pastels.
Solo show

Impressões Digitais. MNAC Collection

2024-12-12
2026-12-30
Curatorship: Ana Guimarães, Emília Ferreira, Maria de Aires Silveira e Tiago Beirão Veiga
Consisting of founding works of contemporary Portuguese art historiography, from 1850 to the present day, the MNAC's collection holds several national treasures.
Permanent Exhibition

Since 1911

2022-05-26
2026-05-26
An intervention that celebrates 110 years of the MNAC.
114 years