Biografia

Nasceu em Kortrijk, na Bélgica em 1969

Instituto Nacional de Belas Artes de Antuérpia 1992-1995
Vive e trabalha em Antuérpia.

EXPOSIÇÕES INDIVIDUAIS
2010
- Pinakothek der Moderne, Munique

2009
- De Pont museum voor hedendaagse kunst, ‘David Claerbout. The Shape of Time’, Tilburg/Holanda,
- Hauser & Wirth, Londres
- MNAC – Museu do Chiado, Lisboa
2008
- MIT LIST Visual Arts Center, Cambridge, Massachusetts/EUA
- Belkin Galleries da Universidade de British Columbia, Vancouver/Canadá
- EMST National Museum of Contemporary Art,  Conservatório de Atenas, Atenas/Grécia
- Yvon Lambert, ‘Then Came This’, Nova Iorque/EUA
- Johnen Galerie, Berlim/Alemanha
- Kunstmuseum St. Gallen, ‘After the quiet’, St. Gallen/Suiça
2007
- Centre Georges Pompidou, espace 315, ‘David Claerbout’, Paris/França
- Musées Royaux des Beaux-Arts da Bélgica, ‘David Claerbout. 3 Works’, Bruxelas/Bélgica
2006
- NCA Gallery, ‘Curator’s Eye – Vol. 1 David Claerbout’, Tokio/Japão
2005
- Akademie der Künste, ‘Background Time – Gezeiten’, Berlim/Alemanha
- Dundee Contemporary Arts Centre, Dundee/Reino Unido
- Van Abbemuseum, Eindhoven/Holanda
- Le Magasin, Musée Dauphinois, Grenoble/França
- Galerie Yvon Lambert, ‘Visible Time’, Nova Iorque/EUA
- RISD Museum, ‘David Claerbout-Le Moment 2003’, Providence, Rhode Island/EUA
2004
- Kunstbau im Lehnbachhaus, Munique/Alemanha
- Art Gallery of Windsor, Windsor/Canadá
- Herbert Read Gallery, Canterbury/Reino Unido
2003
- Galerie Hauser & Wirth, Zurique/Suiça
- Galerie Micheline Szwajcer, Antuérpia/Bélgica
- Galleri K, Oslo/Noruega
- Rüdiger Schöttle, Munique/Alemanha
- CGAC Centro Galego de Arte Contemporánea, Santiago de Compostela/Espanha
- Museum Boijmans Van Beuningen, Roterdão/Holanda
2002
- Kunstverein Hannover, Hanover/Alemanha
- Annet Gelink Gallery, Amsterdão/Holanda
- Galerie Johnen + Schöttle, Colónia /Alemanha
2001
- Galerie Rüdiger Schöttle, Munique/Alemanha
- Galerie Johnen + Schöttle, Colónia/Alemanha
2000
- DIA Center for the Arts, ‘Project for the Internet: “Present” [www.diacenter.org/claerbout], Nova Iorque/EUA
- Galerie Micheline Szwajcer, Antuérpia/Bélgica
- Nicole Klagsbrun Gallery, ‘Untitled’, Nova Iorque/EUA
1999
- Hallen, Kortrijk, ‘Caryatids’ [Permanent Sound-Installation commissioned by Christian Kieckens, Architects], Kortrijk/Bélgica
- De Vereniging, S.M.A.K., Gand/Bélgica
1998
- Etablissement d’en Face, Bruxelas/Bélgica
1997
- Montevideo Gallery, Antuérpia/Bélgica
- Argos, Kanal 20, Bruxelas/Bélgica

EXPOSIÇÕES COLECTIVAS
2009
- Hong Kong Museum of Art, ‘Louis Vuitton et la Passion de la création’, Hong Kong/China
- IVAM Institut Valencià d’Art Modern, ‘Some Wrinkles in Time’, Valencia/Espanha
- Shanghai Art Museum, ‘A Story of The Image: Old and New Masters From Antwerp’, Xangai [itinerou para o Singapore National Museum, Singapore]
- GAM Galleria Civica d’Arte Moderna e Contemporanea, ‘Cronostasi. Tempo Filmico e Tempo Fotografico. Second aparte 1985-2008’, Turim/Itália
- Schaulager Basel, ‘Holbein to Tillmans. Prominent Guests from the Kunstmuseum Basel’, Basileia/Suíça
- Mills College Art Museum, ‘Painting the Glass House: Artists Revisit Modern Architecture’, Oakland/Canadá
- Tel Aviv Museum of Art, ‘Sounds and Visions. Artist Video and Cinema Works from Europe’, Telavive /Israel
- MUDAM, ‘Moving Stills (Mois Européen de la Photographie)’, Luxemburgo/Luxemburgo
- Ernst Museum, ‘Verité exposée – about memory’, Budapeste/Hungria
- Kunstmuseum Chur, ‘Gefrorene Momente/Frozen Moments’, Chur/Suiça
- Museo Civico P.A. Garda, ‘Spaces of Childhood’, Ivrea/Itália
- Kunstmuseum Chur, ‘Gefrorene Momente/Frozen Moments’, Chur/Suíça
- MOCA – Museum of Contemporary Art, ‘Fantastic Illusions’, Xangai/China
2008
- Kuntsi, Modernin taiteen museo, ‘Archeology of Mind’, Vaasa/Finlândia
- Fondation Beyeler, ‘Venedig. Von Canaletto bis Turner’, Riehen/Suíça
- Museo de Arte Moderno La Tertulia, ’41 Salòn Nacional de Artistas’, Cali/Colombia
- Centrale Electrique, ‘Refléchir le monde’, Brussels/Bélgica
- Malmö Konstmuseum, ‘Archeology of mind – Morra Greco Foundation’, Malmö/Suécia
- Edith-Russ-Hauss für Medienkunst, ‘nach/sichten. Ausgewählte Videoarbeiten aus der Sammlung Goetz’, Oldenburg/Alemanha
- Lenbachhaus, ‘Kapitel 4. Die Videosammlung der Städtischen Galerie im Lenbachhaus’, Munique/Alemanha
- MARTa Herford Museum für zeitgenössische Kunst, ‘Die Hände der Kunst’, Herford/Alemanha
- Museum Küppersmühle für Moderne Kunst , ‘Doing it my way – Perspectives on Belgium Art’, Duisburg/Alemanha
- Scottsdale Museum of Contemporary Art, ‘CarCulture’ , Scottsdale, Arizona
- Yale School of Architecture, ‘Painting the Glass House: Artists Revisit Modern Architecture’, New - Haven CT [itinerou para: The Aldrich Contemporary Art Museum, Ridgefield CT, 2008; Mills College Art Museum, Oakland Canadá, 2009]
- Stiftung Federkiel Halle 14, ‘The Subversion of Stillstand / Die Subversion des Stillstandes’, Leipzig/Alemanha [itinerou para: ACC Galerie, Weimar/Alemanha]
- Hamburger Bahnhof, ‘Sichtbarwerden’, Berlim/Alemanha
- Weserburg Museum für Moderne Kunst, ‘The Morning After. Videoworks from the Goetz Collection’, Bremen/Alemanha
- Beffroi du Louvre, ‘Rêver l’horizon, autour de Paysage (1840) de Turner’, Lens à Bruay-la-Buissière (Pas-de-Calais)/França
- Kunsthalle Wien, ‘Western Motel: Edward Hopper and Contemporary Art’, Viena/Áustria
- KW Berlin, ‘...5 minuters later’, Berlim/Alemanha
- Circulo de Bellas, ‘Photo Espagna 2008’, Madrid/Espanha
- Justina M. Barnicke Gallery, University of Toronto, ‘Stutter and Twitch’, Toronto/Canadá
- Hunter College Art Galleries, ‘Contemporary Representations of Night’, Nova Iorque/EUA
- Herzliya Museum of Contemporary Art, ‘Panoramic Views’, Herzliya/Israel
- Le Pavillon, ‘ArtFocus 5th Edition’, Jerusalém/Israel
2007
- Caja de Burgos, ‘El hilo conductor’, Burgos/Espanha
- Centre pour l’image contemporaine Saint-Gervais, ’12. Biennale de l’Image en Mouvement’, Geneva/Suíça
- Lewis Glucksman Gallery University College, ‘Beyond the country. Perspectives of the land in historic and contemporary art’, Cork/Irlanda
- MuHKA, ‘En verhaal van het beeld. The Story of an Image’, Antuérpia/Bélgica
- Lenbachhaus. Städtische Galerie im Lenbachhaus und Kunstbau München, ‘Perspektive 07’, Munique/Alemanha
- Leeum, Samsung Museum of Art, ‘Flash Cube’, Seul/Coreia
- Bac Bâtiment d’art contemporain, ’12e Biennale de l’Image en Mouvement’, Geneva/Suíça
- Musée des Beaux-Arts, ‘Mois de la photo. Explorations narratives/Replaying Narrative’, Montreal/Canadá
- Heidelberger Kunstverein, ’2. Fotofestival Mannheim-Ludwigshafen-Heidelberg’ (Reality Crossings), Heidelberg/Alemanha
- Fundação Calouste Gulbenkian, ‘Fiction Versus Reality’, Lisboa/Portugal
- Lenbachhaus München, ‘Perspektive07’, Munique/Alemanha
- Musée d’Ixelles, ‘Portrait de l’atre. L’hospitalité. Le rejet’, Ixelles/Bélgica
- Galleria Comunale d’Arte Contemporanea, ‘Love Addiction: practices in video art from ’67 to the present’, Montefalcone/Itália
- Patio Herreriano Museo de arte Contemporaneo, ‘Intocable. El ideal de la transparencia’, Valladolid/Espanha
- CAB Centro de Arte Caja de Burgos, ‘The Leading Thread’, Burgos/Espanha
- Kunstmuseum St. Gallen, ‘In the Eye of the Storm/Im Auge des Zyklons’, St. Gall/Suíça
- ZKM Museum für Neue Kunst, ‘Imagination Becomes Reality. An Exhibition on the expanded concept of painting. Works from the Goetz Collection’, Karlsruhe/Alemanha
- Argos, ‘Anachronism’, Bruxelas/Bélgica
- Bard College Center for Curatorial Studies, Annandale-on-Hudson Nova Iorque/EUA
- Kunstmuseum Bonn, ‘GOING STAYING. Movement, Body, Place in Contemporary Art’, Bona/Alemanha
- Filmfestival Rotterdam, ‘Other than film’, Roterdão/Holanda
- Mois de la Photo, ‘Replaying Narrative’, Montreal/Canadá
- Leeum, Samsung Museum of Art, ‘Flash Cube’, Seul/Coreia
2006
- Centre for Contemporary Art – Ujazdowski Castle, ‘Touch my Shadows. New media works from the Goetz Collection’, Varsóvia/Polónia
- Rochester Art Center, ‘Something more than feeling’, Rochester Minnesota/EUA
- Museum Boijmans Van Beuningen, ‘Slow Motion’, Roterdão/Holanda
- Phoenix Werke, ‘Idylle’, Hamburgo/Alemanha [travels to DA2 Domus Artium, Salamanca/Espanha; Nationalgallery, Praga/ República Checa]
- Frac Lorraine, ‘On/ff’, Metz/França
- Z33, ‘Nr. 14 Light Play’, Hasselt/Bélgica
- Hamburger Bahnhof, ‘Beyond Cinema’, Berlim/Alemanha
- Art 37, Basel, Basileia/Suíça
- Haus der Kunst, ‘ClickDoubleClick – the documentary factor’, Munique/Alemanha (travels to Paleis voor Schone Kunsten, Bozar, Bruxelas/Bélgica)
- Galerie Yvon Lambert, ‘Message Personnel’, Paris/França
- Villa Arson, ‘Intouchable’, Nice/França
- Museum Franz Gertsch, ‘The Sublime is Now! Das Erhabene in der Kunst von Barnett Newman bis heute’, Burgdorf/Suíça
- Le Magasin, ‘Oeuvres vidéo de la collection Pierre Huber’, Grenoble/França
- Argus Building, ‘Brighton Photo Bienniale’, Brighton/Reino Unido
- Dumont-Wyckhuyse, ‘Image In Motion’, Roeselare/Bélgica
- Scope, Nova Iorque/EUA
- MAC`s Grand Hornu, ‘Anagramme’, Hornu/Bélgica
- Neue Galerie Graz, ‘Artimage- Diskussion Architektur & Psychoanalyse’, Graz/Áustria
- Brighton Photo Biennial 2006, Brighton/Reino Unido
2005
- Art Forum Berlin, ‘Temporary Import’, Berlim/Alemanha
- Centro Cultural de Belém, ‘Lisboa Photo 2005’, Lisboa/Portugal
- Palais des Beaux-Arts, ‘Belgique Visionnaire’, Bruxelas/Bélgica
- Museum Kunst Palast, ‘Slow Art – Zeitgenössische Kunst aus Flandern und den Niederlanden’, Düsseldorf/Alemanha
- ‘Le Printemps de Septembre’, Toulouse/França
- Musée d’art moderne, ‘Voisins Officiel’, Lille/França
- Kunsthallen Brandts Klaedefabrik, ‘Shadow Play. Shadow and Light in Contemporary Art – An Homage to Hans Christian Andersen’, Odense/Dinamarca (travels to Kunsthalle Kiel/Alemanha 2005; Landesgalerie Linz/Áustria 2006)
- Museum für Moderne Kunst MMK, ‘What’s New, Pussycat?’, Frankfurt am Main/Alemanha
- Biennale Prague, ‘Double Vision’, Praga/República Checa
- Fondazione Torino Musei, ‘Miniature from eighteenth century until today’, Turim/Itália
- Musée Cantonal des Beaux-Arts, ‘Private View 1998-2000. Collection Pierre Huber’, Lausanne/Suíça
- Witte de With, ‘Monopolis’, Roterão/Holanda
- Hamburger Bahnhof, Rieckhallen, ‘Fast nichts. Minimal artworks’, Berlim/Alemanha
- Seedamm Kulturzentrum, ‘Manchmal weiss ich nicht, ob ich etwas wirklich erlebt oder ob ich es in einem Film gesehen habe. Von Olaf Breuning bis Sam Tayler-Wood. 33 Videoarbeiten aus der Sammlung Goetz in München’, Pfäffikon/Suíça
- N.O. Gallery Milan, ‘Multiplo 2: multipli, molteplici, moltiplicati’, Milão/Itália
- MIT List Visual Arts Center, ‘Media Test Wall-Critters’, Cambridge Massachusetts/EUA
- Le Parvis, ‘Point of View’, Ibos/França
2004
- Taipei Biennial, ‘Do You Believe in Reality?’, Taipei/Tailândia
- Galerie Yvon Lambert, ‘Works I told you about’, Paris/França
- Galerie Neue Meister, ’94-04. Zehn Jahre Gesellschaft für Moderne Kunst in Dresden’, Dresden/Alemanha
- Montevideo, ‘Channel Zero’, Amsterdão/Holanda
- Krinzinger Projekte, ‘Working Ethics. An Exhibition from a certain Flanders’, Viena/Áustria
- Yokohama Museum of Art, ‘Non-Sect Radical: Contemporary Photography III’, Yokohama/Japão
- Le Plateau, ‘Ralentir vite’, Paris/França
- Greene Naftali Gallery, Nova Iorque/EUA
- deSingel, ‘DVD Lounge Incidents / De Nachten’, Antuérpia/Bruxelas
2003
- Museum of Contemporary Art, ‘War (What is it Good for?)’, Chicago Illinois/EUA
- Kunsthalle Vienna, ‘Attack! Kunst und Krieg in den Zeiten der Medien’,Vienna/Áustria
- Museet for Samtidskunst, ‘Body Matters’, Oslo/Noruega
- Galerie Neue Meister, ‘under ground’, Dresden/Alemanha
- ‘Outlook’, Atenas/Grécia
- SMAK Stedelijk Museum Voor Aktuele Kunst, ‘Gelijk het leven is. Belgische kunst uit de collectie van het SMAK’, Gand/Bélgica
- ZKM Zentrum für Kunst und Medientechnologie, ‘Fast forward: Media Art Sammlung Goetz’, Karlsruhe/Alemanha
- Hasselt, ‘Guided by Heroes’, Hasselt/Bélgica
- Postbahnhof am Ostbahnhof, ‘...lautloses irren, ways of worldmaking, too…’, Berlim/Alemanha
- Caermersklooster, ‘Still/Move’, Gant/Bélgica
- CRAC Centre de Recherche et d’Action Culturelle, ‘Contre/Temps. Thierry Kuntzel. David Claerbout’, Valence/França
- MUHKA Museum van Hedendaagse Kunst, ‘Once upon a time…’, Antuérpia/Bélgica
2002
- ‘31st International Film Festival’, Roterdão/Holanda
- De Appel, ‘Haunted by Detail’, Amsterdão/Holanda
- daadgalerie, ‘Teaser’, Berlim/Alemanha
- Musée des arts contemporains MAC’s Grand-Hornu, ‘L’Herbier et le Nuage’, Hornu/Bélgica
- Art & Public, Geneva/Suíça
- Galerie Yvon Lambert, Paris/França
- Galerie Micheline Szwajcer, ‘Group Exhibition’, Antuérpia/Bélgica
- Museum für Moderne Kunst, ‘Das Museum, die Sammlung, der Direktor und seine Liebschaften’, Frankfurt/Alemanha
- Museum der bildenden Künste, ‘Malerei ohne Malerei’, Leipzig/Alemanha
2001
- Korean Art Foundation, ‘Unreal Time Video’, Seul/Coreia
- INOVA Institute of Visual Arts, University of Wisconsin, ‘Winter Exhibition: Tiong Ang, Serhiy Bratkov
- David Claerbout, José Antonio Hernandez-Diez’, Milwaukee Wisconsin, EUA
- Museum D’Hondt-Daenens, ‘Aubette’, Deurle/Bélgica
- Centre pour l’image contemporaine, ‘La vérité est ailleurs’, Geneva/Suíça
- ‘Berlin Biennale 2’, Berlim/Alemanha
- Sammlung Goetz, ‘Videoserie in der Black Box, 6 Künstler – 6 Positionen’, Munique/Alemanha
- Cultural Centers Strombeek, ‘Touch me…’, Sint-Niklaas, Roeselare/Bélgica
- Galerie Ascan Crone, ‘Passion’, Part I in Hamburg, Part II in Berlim/Alemanha
2000
- Limmerick City Gallery of Art, Limmerick/Irlanda
- Huis aan de Werf, cur. Moritz Kung, Utrecht/Holanda
- Le Grand Hornu, cur. Laurent Busine, Mons/Bélgica
- La Monnaie, ‘L’Opera, un chant d‘Étoiles’, Bruxelas/Bélgica
- ‘18th World Wide Video Festival’, Amsterdão/Holanda
1999
- Fotohof, Salzburg/Áustria
- [Exhibition with works from the Collection of the Flemish Community], Hallen, Bruges/Bélgica
- MuHKA Museum of Contemporary Art, ‘Trouble Spot Painting’, Antuérpia/Bélgica
- ‘Nuevos Caminos’, Vigo, Galiza/Espanha
- FRI ART, Centre for Contemporary Art, ‘Transference. Locations in Memory and Time’, Fribourg/Suíça
- hARTware, ‘Dis.Location’, Dortmund/Alemanha
- Galerie Ferdinant Van Dieten, ‘Reflexive Figuration’, Amsterdão/Holanda
1998
- Shed im Eisenwerk, ‘Not strictly private’, Frauenfeld/Suíça
- Gallery by Night, ‘Intimate Strangers’, Budapeste/Hungria
- Beelden Buiten, ‘I never promised you a rose garden’, Tielt/Bélgica
1997
- Watertoren CHK, Vlissingen/Holanda
- Pica en Flandes, Barcelona/Espanha
- Palais des Beaux-Arts, ‘Prix de la jeune peinture belge’, Bruxelas/Bélgica
1996
- Montevideo Gallery, ‘Tekeningen en projecten’, Antuérpia/Bélgica

PRÉMIOS/BOLSAS
2007
- Will-Grohmann-Preis der Akademie der Künste, Berlim
- Cultuurprijzen Vlaanderen, Beeldende Kunst

2002
- DAAD, Berlim

COLECÇÕES

- MAC- Grand Hornu
- Musée d'art contemporain de Estrasburgo
- Sammlung Goetz, Munique
- Province of Antwerp, Antuérpia
- ARC Musée d'Art Moderne de la Ville de Paris
- Museum für moderne Kunst, Frankfurt
- Hamburger Bahnhof, Berlim
- Theatre National de la Monnaie, Bruxelas
- MUHKA, Antuérpia
- FRAC Nord Pas de Calais
- SMAK, Gant
- Galerie Neue Meister, Dresden
- Sammlung Hauser und Wirth, St. Gallen
- Flick Collection, Berlim
- Centre Georges Pompidou Musée National d'Art Moderne, Paris
- Rennie Collection, Vancouver
- Emanuel Hoffmann Stiftung, Basileia
- Fondation Antoine de Galbert, Paris
- Lenbachhaus, Munique
- Autostadt, Wolfsburg
- GAM, Galleria D'Arte Moderna et Contemporanea, Torino
- De Pont museum voor hedendaagse kunst, Tilburg
- Boijmans van Beuningen, Roterdão
- Musées Royaux, Bruxelas
- Collection Pierre Huber, Suíça
- Fondazione Morra Greco, Nápoles
- Kunsthalle Mannheim
- Mudam, Luxemburgo
- Ellipse Foundation, Cascais
- Julia Stoschek Collection, Düsseldorf
- Bergen Art Museum, Bergen
- Pinakothek der Moderne, Munique
- Collection François Pinault
- Collezione La Gaia
- Caldic Collectie

BIBLIOGRAFIA 
             PUBLICAÇÕES

2008
- Kunsthalle Wien und Matt, Gerald (ed.), Wien, ‘Western Motel: Edward Hopper and Contemporary Art’, Nurnberg: Verlag für moderne Kunst Nürnberg, 2008, pp. 126-131, il., (cat. exp.)
- Lucuix, Luisa (ed.), ‘Photo Espana 2008’, Madrid: La Fabrica Editorial, 2008, pp. 212-217, il., (cat. exp.)
- Ringier Kunstverlag (ed.), ‘David Claerbout. Shape of Time’, Zurich: Ringier Kunstverlag, 2008 (cat. exp.)
2007
- Ronte, Dieter, Adolphs, Volker (ed.), ‘Gehen bleiben. Bewegung, Körper, Ort in der Kunst der Gegenwart’, Bonn: Kunstmuseum Bonn, 2007, pp. 102-107, il., (cat. exp.)
- Caja de Burgos, ‘El Hilo Conductor’, Burgos: Caja de Burgos, 2007, pp. 14-19, il.
- Centre Pompidou (ed.), ‘La collection du Centre Pompidou. Musée national d’art moderne. Selected works’, Paris: Centre Pompidou, 2007, p. 270, il.
- Bitterli, Konrad (ed.), ‘Im Auge des Zyklons/In the Eye of the Storm’, Nürnberg: Verlag für moderne Kunst, 2007, pp. 48-53, il.
- Cassagnau, Pascale, ‘Future Amnesia. Enquêtes sur un troisième cinéma’, Paris: isthme éditions, 2007, pp. 96-97
- Albers, Katja/Becker, Kathrin, ‘How to watch a videotape/How to judge a videotape. Kleiner Leitfaden zur Qualität der Videokunst’, em: Wolfram Völcker (ed), ‘Was ist Gute Kunst?’, Ostfildern: Hatje Cantz, 2007
- Slager, Henk, Hyesoo, Woo/Leeum, Samsung Museum of Art (ed.), ‘Flash Cube’, Seoul, 2007, pp. 44-45, il. (cat. exp.)
- Muhka (ed.), ‘Jubilee-MuHKA 2007/1987/1967’, Antwerp, 2007, pp. 168-169, 177, il. (cat. exp.)
- Goetz, Ingvild, Jansen, Gregor (et al), ‘Imagination Becomes Reality. An Exhibition on the Expanded Concept of Painting. Works from the Goetz Collection’, ZKM Zentrum für Kunst und Medientechnologie und Kunstverlag Ingvild Goetz, 2007, pp. 104-105 and cover (cat. exp.)
- Filipovic, Elena/Argos (ed), ‘Anachronism’, Brussels, 2007, p. 12, il. (brochura exp.)
- Teeuwen, Marjan/KW14 (ed.), ‘De Ontdekking van de Traagheid’, ‘s-Hertogenbosch, 2007 (cat. exp.), pp. 11, 138, il.
2006
- Van Assche, Christine (ed.), ‘Collection Nouveaux Medias. Installations’, Paris: Éditions du Centre Pompidou, 2006, pp. 36-37, 110-113, il.
- Vlaams Ministerie van Cultuur, Jeugd, Sport en Media, Agentschap Kunsten en Erfgoed (ed.), ‘Collectie Vlaamse Gemeenschap Aanwinsten’, Brussel, 2006, pp 13, 206-208, 403-404, il.
- Staatliche Museen zu Berlin, Hamburger Bahnhof – Museum für Gegenwart (ed.), ‘Beyond Cinema: The Art of Projection Films, Videos and Installations from 1963 to 2005’, Hatje Cantz Verlag, 2006, pp. 76-79, il. (cat. exp.)
- Martin, Sylvia, Grosenick, Ute (ed.), ‘video Art’, Köln: Taschen, 2006, pp. 42-43, il.
- Claerbout, David, ‘White House (2006)’, 2006.
- Joachim Jäger, Gabriele Knapstein, Annette Hüsch, ‘Jenseits des Kinos: Die Kunst der Projektion’, Ostfildern: Hatje Cantz Verlag, 2006, pp. 76-79
- Casino Luxembourg – Forum d’art contemporain/Fonds régional d’art contemporain de Lorraine, Metz/Saarlandmuseum, Saarbrücken (ed.), ‘ON/OFF’, 2006, pp. 110-113, il. (cat. exp.)
- Demos, T.J. (ed.), ‘Vitamin Ph: New Perspectives in Photography’, London: Phaidon Press, 2006, pp. 54-55, il.
- Museum Franz Gertsch/Elke Kania (ed.), ‘The Sublime is Now! Das Erhabene in der zeitgenössischen Kunst’, Burgdorf/Bern: Benteli Verlag, 2006, pp. 66-69, il. (cat. exp.)
- Piron, François, Désanges, Guillaume/Villa Arson (ed.), ‘Intouchable (L’Architecture de verre & L’Idéal transparence)’, Nice: Editions Xavier Barral et Villa Arson, 2006, il. (cat. exp.)
- Tawadros, Gilane (ed.), ‘Brighton Photo Biennial 2006’, Brighton: Photoworks, 2006 (cat. exp.)
- Weski, Thomas/Haus der Kunst (ed.), ‘click doubleclick. The Documentary Factor’, Köln: Verlag der Buchhandlung Walther König, 2006, pp. 192-195, il. (cat. exp.)
- Aupetitallot, Yves/Le Magasin (ed.), ‘Review: Videos & Films. Collection Pierre Huber’, Grenoble/Zürich: JRP/Ringier, 2006, il. (cat. exp.)
- Villa Arson (ed.), ‘Intouchable (L’Architecture de verre & L’Idéal transparence)’, Nice: Editions Xavier Barral et Villa Arson, 2006, il. (cat. exp.)
2005
- Blume, Eugen (ed.), ‘Friedrich Christian Flick Collection im Hamburger Bahnhof’, Berlin: Staatliche Museen zu Berlin, 2005, pp. 72-75, il.
- MAC’s (ed.), ’1999-2004 album. Collection du Musée des arts contemporains du Grand-Hornu’, Hornu, 2005 . (cat. exp.)
- Fonds Mercator/Palais des Beaux-Arts (ed.), ‘La Belgique Visionnaire’, Brussels, 2005 (cat. exp.)
- Kunsthallen Brandts Klaedefabrik (ed.), ‘Shadow Play. Shadow and Light in Contemporary Art.
- A Homage to Hans Christian Andersen’, Heidelberg: Kehrer Verlag, 2005 (cat. exp.)
- Museum Kunst Palast (ed.), ‘Slow Art – Zeitgenössische Kunst aus Flandern und den Niederlanden’, Düsseldorf, 2005 ((brochura exp.)
- Witte de With (ed.), ‘Monopolis/Antwerpen’, Rotterdam, 2005 (brochura exp.)
- Câmara Municipal de Lisboa-Direcção Municipal de Cultura/PUBLICO-Comunicação Social, SA (ed.), ‘Lisboa Photo 2005’, 2005 (cat. exp.)
- Blume, Eugen, Knapstein, Gabriele, Nichols, Catherine (ed.), ‘Fast nichts. Minimalistische Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof’, Berlin/Köln: SMB-DuMont, 2005 (cat. exp.)
- Snauwaert, Dirk, ‘Immobilität. David Claerbout, “The Bordeaux Piece”, 2004’, em: Meschede, Friedrich (ed.), ‘Etwas von Etwas – Abstrakte Kunst (Jahresring 52. Jahrbuch für moderne Kunst)’, Köln, 2005, pp. 227-236
- Swinnen, Johan, ‘De lichte kamer. De onverborgen fotografie’, Antwerpen, 2005, p. 142 and cover, il.
2004
- Gaensheimer, Susanne, Meschede, Friedrich, Lubbers, Frank, Brown, Katrina (eds.), ‘David Claerbout’ [texts by David Green], Cologne: Verlag der Buchhandlung Walther König
- Green David, Lowry, Joanna, ‘David Claerbout’, Howard Read Gallery, 2004 (cat. exp.)
- Yokohama Museum of Art, ‘Non-Sect Radical: Contemporary Photography III’, Yokohama, 2004 (cat. exp.)
- Matt, Gerald, ‘handlungsanweisungen. What is Art good for?. 100x Kunst am Karlsplatz’, Vienna: Kunsthalle Wien/Steidl Verlag, 2004, p. 91
- Taipei Fine Arts Museum (ed.), ’2004 Taipei Biennial: Do You Believe in Reality?’, Taipei, 2004 (cat. exp.)
-Krinzinger Projekte (ed.), ‘Working Ethics. From a Certain Flanders’, Vienna, 2004, p. 11, il. (brochura exp.)
2003
- CGAC Centro Galego de Arte Contemporánea (ed.), ‘David Claerbout’ [texts by Stephan Berg, Rachel Kushner], Santiago de Compostela, 2003 (cat. exp.)
- ‘Cream III’, London: Phaidon, 2003, il.
- Kunsthalle Wien (ed.), ‘Attack!’, Vienna, 2003, il (cat. exp.)
- Goetz, Ingvild/Urbaschek, Stephan (ed.), ‘Fast Forward: Media Works from the Goetz Collection’, Munich: Kunstverlag Ingvild Goetz G.m.b.H., 2003, pp.118-123, , il (cat. exp.)
- Lux, Harm (ed.), ‘...lautloses irren, ways of worldmaking, too…’, Berlin 2003 (cat. exp.)
- Museet for Samtidskunst (ed.), ‘Body Matters’, Oslo, 2003, p. 20-21, ill. (brochura exp.)
- Cera Foundation (ed.), ‘Decennium. Kunst in Belgie na Documenta IX/L’Art Belge et l’Après-Documenta IX’, Gent/Amsterdam: Ludion, 2003
2002
- Kunstverein Hannover (ed.), ‘David Claerbout’, Brussels: A Prior, (cat. exp.)
- Musée des Arts Contemporains, MAC’s Grand-Hornu (ed.), ‘L’Herbier & Le Nuage’, Hornu, 2002, pp. 28-35, ill. (cat. exp.)
- Museum der bildenden Künste (ed.), ‘Malerei ohne Malerei’, Leipzig: E.A. Seemann Verlag, 2002 (cat. exp.)
2001
- Berlin Biennale für zeitgenössische Kunst (ed.), ’2. berlin biennale 2001’, Cologne: Oktagon, 2002, vol. 1, p. 66-71, vol. 2., p. 382-383, il. (cat. exp.)
- Museum Dhondt-Dhaenens (ed.), ‘Aubette. Het verlangen naar een (andere) plaats’ [text by Edith Doove], 2001 (cat. exp.)
2000
Stichting World Wide Video Festival (ed.), ’18 World Wide Video Festival’, Amsterdam, pp. 142-143, il. (cat. exp.)
1999◊
MUHKA (ed.), ‘Trouble Spot•Painting’, Ghent: Imschoot, 1999, p. 38, il. (cat. exp.)

              ARTIGOS
2008
- Weinrichter, Antonio, ‘Version orginal, Carta de Buenos Aires’, em: Exit Express, Dezembro 2008, pp. 88-91, il.
- Wilson Lloyd, Anne, ‘David Claerbout MIT List Visual Arts Center’, em: Art in America, New York, NY, Outubro 2008, pp.196-97, il.
- ___, ‘Anja Jardine und David Claerbout – Riverside, ein Filmscript und Wort-Skizzen’, em: Kunstbulletin, Zurich, Setembro 2008, pp. 26-37, il.
- Mack, Gerhard, ‘Das Glück der Täuschung’, em: NZZ, Zurich, 6 Julho, 2008, p. 58, il.
- ___, ‘David Claerbout’, em: Kunstmagazin Regioartline, Freiburg, Maio 2008, p. 22, il.
- Völzke, Daniel, ‘David Claerbout umtanzt in New York das Geheimnis des schönen Augenblicks’, em: Monopol, Berlin, no. 5, Maio 2008, p. 140, il.
- Demos, TJ, ‘Eine Frage der Zeit’, em: DU, Rapperswil, no. 783, Fevereiro 2008, pp. 54 – 61, il.
- Banai, Nuit, ‘David Claerbout’, em: Modern Painters, London, Abril 2008
- Kreis, Elfi, ‘David Claerbout erhält den Will-Grohmann-Preis’, em: Kunstzeitung, Regensburg, No. 139, Março 2008, p. 22
2007
- ___, ‘Die Zeit des Raumes’, em: Frame 021, Vienna, Outono de  2007, p. 154, il.
- ___, ‘Moving Still. David Claerbout: An Invitation To Reconsider’, em: DAM, no. 14, Dezembro 2007/Janeiro 2008, pp. 14-18, il.
- Gallois, Christophe, ‘Current Shows. David Claerbout’, on: frieze.com, London, 13 de Dezembro, 2007, il.
- ___, ‘Will-Groham-Preis 2007 an David Claerbaout’, on: www.adk.de, Berlin, 4 de Dezembro, 2007
Van Den Abeele, Lieven, ‘David Claerbout in het Centre Pompidou’, em: De Witte Raaf, no. 130, Novembro-Dezembro 2007, pp. 11-12, il.
- Sennewald, Jens Emil, ‘David Claerbout im Centre Pompidou, Espace 315’, em: Kunstbulletin, Zürich, Novembro 2007, il.
- Escalle, Clotilde, ‘L‘émergence du temps’, em: Tageblatt, Luxembourg, Novembro 16, 2007, p 16, il.
- Davies, Lillian, ‘Critic pics: David Claerbout. Espace 315, Centre Pompidou’, em: www.artforum.com, Novembro 2007, il.
- Daenen, Ward, ‘Zeg maar dag tegen de zwarte doos’, em: de Morgen, 24 de Outubro, 2007, il.
- Domino, Christoph, ‘Paroles d’Artiste. David Claerbout’, em: Le Journal des Arts, Paris, no. 269, 19 de Outubro  –  1 de Novembro, 2007, p. 13 and cover, il.
- Lefort, Gérard, ‘Claerbout projections privées’, em: Libérations, Paris,  9 de Outubro, 2007
- Rinckhout, Eric, ‘David Claerbout presenteert nieuw videowerk in Parijs’, em: De Morgen, 2 de Outubro, 2007, p. 22, il.
- Kwakkenbos, Lars, ‘Trage kunst’, em: Elle (Belgium), 1 de Outubro, 2007, il.
- Van Bogaert, Pieter, ‘Verpleger van beelden (interview)’, em: art, Antwerpen, no. 26, 27 de Setembro, 2007, p. 3 and cover, il
- Van den Abeele, Lieven, ‘Jeux de temps et de lumière. David Claerbout’, em: Septentrion,  1 de Setembro, 2007, il.
- Davidts, Wouter, ‘David Claerbout (preview)’, em: Artforum, New York, vol. XLVI, no. 1, Setembro 2007, p. 200
- Mack, Gerhard, ‘Stille Abenteuer’, em: Art, Hamburg, Nr. 8, Agosto 2007, p. 101, il.
Da Costa, Valérie, ‘David Claerbout, un temps pluriel’, em: Artpress, Paris, Agosto 2007, il.
- Guy Duplat, ’David Claerbout ou les mutations de la photo’, em: La Libre Belgique, Brussels, 21/22 de Abril, 2007, p.21
- Bonnet, Frédéric, ‘Éteins la lumière!’, em: Le Journal des Arts, Paris, Fevereiro, 2007
- Lequeux, Emmanuelle, ‘On/Off de Metz au Luxembourg’, em: Beaux Arts, Paris, Fevereiro 2007
- —, ‘ON/OFF la lumière dans tous ses états…’, em: Fluxnews, Janeiro/Fevereiro/Março, 2007
- Bance, Richard, ‘Le Frac et les Arts rivalisant’, em: Le Républicain Lorrain, 18 de Janeiro, 2007
- Bailly, Bérénice, ‘L’art à portée d’oreilles et de doigts dans un labyrinthe d’obscurité’, em: Le Monde, Paris, 14/15 de Janeiro, 2007
- ___,‘David Claerbout exposeert in Parijs en Boston’, in : de Morgen, Brussel, Janeiro 3, 2007
V., Thomas, ‘Dans L’Intimité de la Nuit’, em: Poly, Strasbourg, Janeiro 2007
- ___, ‘En Lorraine’, em: Kulturissimo, no. 54, Janeiro 2007, p. 25
- Ulrichs, David, ‘Projections: Interview with David Claerbout’, em: Lapiz, vol. XXV, no. 219, Janeiro 2007, pp. 56-71, cover, il.
2006
- Doub, Hélène, ‘A l’ombre d’un clair de terre’, em: La Voix, 16 de Dezembro, 2006, p. 21
- Baron, Marie-Guy, ‘Luxembourg, le parti pris contemporain’, em: Le Figaro/et vous, Paris, 11 de Dezembro, 2006
- Reed, Robert, ‘David Claerbout captures time on tape’, em: The Daily Yomiuri, Tokyo, 25 de Novembro, 2006, p. 20, il.De
-Van Bogaert, Pieter, ‘Architectuur van Licht’, em: H>ART, Novembro 2006, p. 11, il.
- Amman, Jean-Christoph, ‘Commentary from our Expert’, em: UBS, Julho-Agosto 2006, p.2, il.
- Tawadros, Gilane, Stallabrass, Julian, ‘Interview: Gilane Tawadros, Brighton Photo Biennial’, em: photoworks, Outono/Inverno: Novembro/Abril 2006/7, pp. 18-23, il.
- Ward, Ossian, ‘David Claerbout’s violent assault on the eyes’, em: The Art Newspaper. Art Basel Daily Edition, 13 de Junho, 2006, p. 8, il.
- Koenot, Jan, ‘Een ‘zien’ dat raakt. Spiritualiteit in de hedendaagse beeldende kunsten’, em: Vlaanderen Kunsttijdschrift, vol. 55, no. 310, Abril 2006, pp. 74-79, il.
- Henkes, Alice, ‘Griff nach dem Ungreifbaren’, em: Der Bund, Bern, 8 de Abril, 2006, p. 15
- Maggia, Filippo, ‘Ma sarà vero?’, em: Flair, no. 4, Abril 2006
- Tobler, Konrad, ‘Wie das Ei Bewunderung erregt. “Das Erhabene” im Museum Franz Gertsch’, em: Berner Zeitung, Bern, 3 de Abril, 2006, p. 7
- Hainzl, Christina, ‘Schattenspiel. Eine Hommage an den dänischen Dichter Hans Christian Andersen’, em: Kultur Oberösterreich, Monatsschrift des oö. Landeskulturreferates, Março 2006, il.
- ___, ‘Schattenspiel. Schatten und Licht in der Zeitgenössischen Kunst’, em: Camera Austria, Graz, n. 93, 2006, il.
- ___, ‘“Click Doubleclick“ im Haus der Kunst’, em: Kunst-Bulletin, Zurich, Março 2006, Nr. 3, p. 70, il.
- De Righi, Roberta, ‘Lichtregie der Aufklärung. Die Foto-Schau “click-doubleclick” im Haus der Kunst’, em: Abendzeitung, München, 8 de Fevereiro, 2006
- ___, ‘Licht und Schatten in der Kunst’, em: Was ist los, OÖN, 4 de Fevereiro  – 10 de Fevereiro, 2006, il.
- ___, ‘Kunst der Moderne: Licht und Schatten’, em: Chefinfo, Fevereiro 2006, il.
- ___, ‘Schattenspiel. Licht und Schatten in der zeitgenössischen Kunst’, em: Wir Landesbedienstete, Janeiro 2006, il.
- ___, ‘Fast nichts – Minimalistische Werke aus der Friedrich Christian Flick Collection’, em: NZZ am Sonntag, Zürich, 15 de Janeiro, 2006, p. 65, il.
- Schuster, Katrin, ‘Der manipulierte Blick auf die Wirklichkeit’, em: Nürnberger Nachrichten, 17 de Março, 2006
- Murraciole, Marie, ‘Le bruit des images. Conversation avec David Claerbout’, em: Les Cahiers du Musée national d’art moderne, Paris, no. 94, inverno 2005/2006, pp. 124-134, il.
2005
- Seedamm Kulturzentrum Bulletin, ‘REALIT;-)T. 30 Videoarbeiten aus der Sammlung Goetz in München. Von Olaf Breuning bis Sam Taylor-Wood’, No. 73, 2005
- Green, David, ‘David Clearbout’, em: Contemporary, London, no. 71, pp. 38-41, il.
- ___, ‘Kurzmeldungen’, em: Informationsdienst Kunst, Regensburg, no. 341, pp. 20-21
- Jordan, Randolph, ‘Life on the Edge of Perception: Immobility in Recent Video Installations’, em: Ciel Variable, Montréal, no. 67, 2005, pp. 28-19, il.
- Lamontagne, Valérie, ‘David Claerbout: le spectre du temps’, em: Ciel Variable, Montréal, no. 67, 2005, pp. 24-27, il
- Borcherdt, Gesine, ‘Come to where the Mauer is’, em: Monopol, Berlin, Outubro/Novembro 2005, pp. 122-127, il.
- Werneburg, Brigitte, ‘Tendenziös in vieler Hinsicht’, em: die Tageszeitung, Berlin, 29 de Setembro, 2005, p. 17, il.
- Schärer, Caspar, ‘Eine enorme Spannweite’, em: Tages-Anzeiger, Zurich, 26 de Setembro, 2005, p. 21, il.
- Schulz, Bernhard, ‘Die reine Leere’, em: Der Tagesspiegel, Berlin, 24 de Setembro, 2005, p. 24, il.
- Ruyters, Marc, ‘Monopolis’, em: De Tijd, 14 de Setembro, 2005, p. 15
- Kemmer, Tanja, ‘Düsseldorf: museum kunst palast / Slow Art. Die Kunst, sich Zeit zu nehmen’, em: Antiquitäten Zeitung, no. 19, 29 de Setembro, 2005, p. 38
- Ruyters, Marc, ‘Trage kunst in een snelle samenleving’, em: De Tijd, 31 de Agosto, 2005
- Lorent, Claude, ‘Ponctuations estivales belges’, em: La Libre Belgique, 23 de Agosto, 2005, p. 36
- Laurent, Claude, ‘La Hollande muséale revivifiée’, em: La Libre Belgique, 30/31 de Julho, pp. 34-35, il.
- ___, ‘Neues aus Mussen und Kunsthallen’, em: Informationsdienst Kunst, Regensburg, no. 331, 28 de Julho, 2005, pp. 6-8
- Laurens, Jeroen, ‘Een trage, stille aanval op de conventionele speelfilm’, em: De Tijd, 29 de Junho, 2005, p. 15, il.
- Medeiros, Margarida, ‘Novos estados da fotografia’, em: Público, 18 de Junho, 2005
- Geering, Matthias, ‘Qualität entsteht durch strenge Selektion’, em: Artinside, Basel, 9 de Junho, 2005, p. 16, il.
- ___, ‘David Claerbout’, em: NRC Handelsblad, 9 de Junho, 2005, p. 19
- Daenen, Ward, ‘Als de foto beweegt, staat de film stil’, em: De Morgen, 7 de Junho, 2005, p. 15, il.
- Van Hove, Jan, ‘Magie van het beeld. Tentoonstelling van Claerbout in Van Abbemuseum’, on: De Standaard online, 6 de Junho, 2005
- ___, ‘Para além da fotografia’, em: Expresso, 4 de Junho, 2005
- Smallenburg, Sandra, ‘Je hebt de echte wereld nodig. De implosies van David Claerbout’, em: NRC Handelsblad, 3 de Junho, 2005
- Berk, Anne, ‘Het Bewustzijn van Tijd’, em: Kunstbeeld, Junho 2005, il.
- Drake, Cathryn, ‘David Claerbout’, em: Artforum International, New York, Vol. XLIII, No. 9, Maio 2005, p. 259
- Wulffen, Thomas, ‘David Claerbout’, em: Kunstforum, Ruppichteroth, Vol. 175, Abril-Maio 2005, pp. 265-266, il.
- Christofori, Ralf, ‘David Claerbout’, em: Frieze, London, vol. 90, Abril 2005, pp. 117-119, il.
- Schütz, Heinz, ‘David Claerbout’, em: Kunstforum, Ruppichteroth, Vol. 174, Janeiro-Março 2005, pp. 333-334, il.
- Lehner, Sabine Dorothée, ‘David Claerbout’, em: Flash Art, Milan, vol. XXXVIII, no. 240, Janeiro-Fevereiro 2005
- Stevenheydens, Ive, ‘Licht, architectuur en melancholie. Recent werk van David Claerbout in Berlijn’, em: de Tijd, Antwerp, 23 de Fevereiro, 2005, p. 15, il.
- Daenen, Ward, ‘Er is leven naafst Luc Tuymans’, em: de Morgen, 12 de Fevereiro, 2005, p. 3, il.
- Domino, Christophe, ‘Centre d’art. La douce accélération du Plateau’, em: Le Journal des Arts, Paris, Fevereiro 4-17, 2005, p. 12, il.
- Lehner, Sabine Dorothée, ‘David Claerbout. Lenbachhaus Kunstbau Munich’, em: Flash Art, Milan, vol. XXXVIII, no. 240, Janeiro-Fevereiro 2005, pp. 122-123, il.
- Schmeltz, Jeanne, ‘Ralentir vite’, em: Art 21, Janeiro/Fevereiro 2005
- Kuhn, Nicola, ‘Zwei Männer und ein Thunderbird’, em: Der Tagesspiegel, Berlin, Janeiro 28, 2005
- Ruthe, Ingeborg, ‘Auf der Lauer’, em: Berliner Zeitung, Berlin,  28 de Janeiro, 2005, p. 25
- Youssi, Yasmine, ‘Urgent: prenez votre temps’, em: Le Journal du Dimanche, 23 de Janeiro, 2005
- Francblin, Catherine, ‘Ralentir vite’, em: Art Press, Paris, Janeiro 2005
- Wagner, Thomas, ’24. Internationale Kritiker-Umfrage. Bilanz 2004: Die alten Helden kehren zurück’, em: Art, Hamburg, No. 1, 2005, pp. 58-63, il.
- Van Pary, Yoan, ‘Might It Just Be That Time Passes? David Claerbout’, em: Camera Austria, no. 91, 2005, p. 91, il.
2004
- Wittneven, Katrin, ‘David Clearbout’s Stillhaltestrategie’, em: Monopol, Berlin, no. 5, Dezembro/Janeiro 2005, pp. 129-131, il.
- Mayerle, Astrid, ‘Ein Tag, der das Leben ändert’, em: Kunstzeitung, Regensburg, no. 100, Dezembro 2004, p. 10, il.
- Doroshenko, Peter, ‘A Belgium road map: from an institutional perspective’, em: arco contemporary art, Madrid, no. 34, inverno 2004, pp. 23-26
- Sonna, Birgit, ‘Zwölf Stunden sind ein Tag. David Claerbout im Münchner Lenbachhaus’, em: Neue - Zürcher Zeitung, Zürich, no. 306, 31 de Dezembro, 2004, p. 44
- Herzog, Samuel, ‘Wo Wünsche Ware werden. Die vierte Kunstbiennale von Taipeh’, em: Neue Zürcher - Zeitung, Zürich, no. 302, 27 de Dezembro, 2004, p. 21
- Zeyn, Martin, ‘Digitales Daumenkino’, em: Frankfurter Rundschau, Frankfurt, 21 de Dezembro, 2004, il.
- Gauville, Hervé, ‘L’effet frein à plusieurs mains’, em: Libération, Paris, 17 de Dezembro, 2004
- Maak, Niklas, ‘Vor Sonnenaufgang’, em: Frankfurter Allgemeine Zeitung, Frankfurt, 11 de Dezembro, 2004, p. 35, il.
- Kendzulak, Susan, ‘Fresh art in different places’, em: Taipei Times, Taipei City, 24 de Outubro, 2004, p. 18
- Karcher, Eva, ‘Paralyse im Ford Thunderbird’, em: Süddeutsche Zeitung, Munich, no. 239, 14 de Outubro, 2004, p. 15, il.
- Kendzulak, Susan, ‘Taipei Biennial brings stars of art to Taiwan’, em: Taipei Times, Taipei, 24 de Setembro, 2004, p. 15
- Herchenröder, Christian, ‘Debüt mit Stärken und Schwächen’, in :Handelsblatt, Düsseldorf, 24 de Setembro, 2004, p. 43
- Basting, Barbara, ‘Die Evangelisierung des Museums’, em: Tages Anzeiger, Zurich, 23 de Setembro, 2004, p. 61
- Maak, Niklas, ‘Vor Sonnenaufgang’, em: Frankfurter Allgemeine Zeitung, Frankfurt, 11 de Setembro, 2004, p. 35, il.
- Gayer, John R., ‘Rewind: David Claerbout’, em: Canadian Art, Verão 2004, il.
- Schreiber, Susanne, ‘Videos loten Grenzen aus’, em: Handelsblatt, Düsseldorf, p. 35, il.
- Green, David, ‘David Claerbout’ (review), em: Photoworks, Brighton, Maio/Outubro 2004, il.
- Garrett, Craig, ‘Raf Simons’, em: Flash Art, Milan, vol. XXXVII, no. 235, Março-Abril 2004, pp. 65-67, il.
- Fassi, Luigi, Shaw, Francesca D., ‘Focus Belgium’, em: Flash Art, Milan, vol. XXXVII, no. 235, Março-Abril 2004, pp. 84-89, il.
- Koplos, Janet, ‘David Claerbout at the Museum Boijmans’, em: Art in America, New York, no. 2, Fevereiro 2004, p. 133, il.
- Heingartner, Douglas, ‘David Claerbout’, em: Flash Art, Milan, 2004
2003
. Pereira, Raul, ‘David Claerbout’, em: art.es, Spain, no. 0, Novembro-Dezembro 2003, p. 76, il.
. Flor, Harald, ‘Ingen plass i sola’, em: Dagbladet, Oslo, 12 de Outubro, 2003, p. 54, il.
. Braet, Jan, ‘Die stilte, lang na de storm’ [interview], em: Knack, Brussel, 24 de Setembro, 2003, pp. 62-65
- Laureyns, Jeroen, ‘Niets nieuws onder de zon’ [interview], em: Tijd cultuur, Brussel, vol. 6, no. 262, 17 de Setembro, 2003
- Rozas, Mercedes, ‘El espectador es cómplice’, em: Agenda de Galicia, Galicia, 7 de Setembro, 2003, il.
___, em: http://www.postmedia.net/03/claerbout.htm
- De Catalina, Ana Marta, ‘Más que fotografía de David Claerbout’, em: http://www.ubicarte.com/_articles/2003-31/claerbout/?id=649
- Chao, David, ‘Sugerente sucesión de imágenes’, em: Arte, vol. 4, no. 55, Setembro 2003, p. 94, il.
- Delgado, Carlos, ‘David Claerbout en el CGAC’, em: Nacional, 1 de Agosto  – 4 de Setembro, 2003, p. 24, il.
- De Samaniego, Alberto Ruiz, ‘David Claerbout: imágenes reanimadas’, em: Blanco y Negro Cultural, 19 de Julho, 2003, pp. 25-26, il.
- Díaz-Guardiola, Javier, [interview], em: Blanco y Negro Cultural, 19 de Julho, 2003, p. 27, il.
- Villar, Carmen, ‘El artista belga David Claerbout sumerge al CGAC en las tinieblas’, em: Faro de Vigo, - - Galicia, 12 de Julho, 2003, il.
- Hermida, Xosé, ‘Dos propuestas sobre la percepción, la tecnología y la creación de la imagen’, em: El País, 12 de Julho, 2003, p. 36
- ___, ‘Das novas linguaxes da arte’, em: Galicia Hoxe, 12 Julho, 2003, p. 51, il.
- Pino, Concha, ‘David Claerbout crea unha atmósfera de cine no CGAC coas súas obras’, em: La Voz de Galicia, 12 de Julho , 2003, p. L9
- ___, ‘O CGAC e o Marco, á abordaxe das fronteiras da linguaxe creativa’, em: El Correo Gallego, Galicia, 12 de Julho , 2003, p. 75
- ___, ‘O CGAC estrea a David Claerbout e volve ós fondos con ‘Pegadas de luz’‘, em: El Correo Gallego, Galicia, 11 de  Julho, 2003, p. 67
- Vele, Ivanmaria, ‘David Claerbout’ [interview], em: Boilermagazine, Milano, no. 2, Junho – Setembro 2003, pp. 104-111, il.
- Lowry, Joanna, ‘Slowing Down. Stillness, Time and the Digital Image’, em: Portfolio, Edinburgh, no. 37, Junho 2003, pp. 51-53, il.
- Piekenbrock, Marietta, ‘Bitte noch einmal’, em: Frankfurter Allgemeine Sonntagszeitung, Frankfurt, 18 de Maio, 2003, p. M2, il.
- Spiegler, Marc, ‘David Claerbout’, em: Artnews, New York, Maio 2003, p. 166, il.
Wendland, Johannes, ‘Die Folgen der Flut. Dresden räumt noch immer auf’, em: Kunstzeitung, Regenburg, no. 80, Abril 2003, p. 8
- Menin, Samuele, Sansone, Valentina, ‘Focus Video and Film. Contemporary Video Art (Part II)’, em: Flash Art, Milan, vol. XXXVI, no. 229, Março-Abril 2003, pp. 92-99, il.
- Engler, Martin, ‘Im Schatten der Bilder’, em: Kunstbulletin, Zürich, no. 3, Março 2003, pp. 32-37, il.
- Muscionico, Daniele, ‘Bilder, die nach sich selbst suchen’, em: Neue Zürcher Zeitung, Zurich, 10 de Fevereiro, 2003
- Van den Ven, Suzanne, ‘David Claerbout’, em: Metropolis M, no. 6, Dezembro 2002/Janeiro 2003, pp. 24- 31, cover, il.
- ___, ‘Ins Netz gegangen. Kompostwärts’, em: Stuttgarter Zeitung, Stuttgart, 20 de Janeiro, 2003
Kyriacou, Sotiris, ‘David Claerbout’ (prev.), em: Contemporary, London, no. 47/48, 2003, p. 38, il.
2002
- Stoeber, Michael, ‘David Claerbout/Peter Pommerer’, em: Kunstforum International, Ruppichteroth, no. 162, Novembro 2002, pp. 306-307, il.
- Prince, Mark, ‘Painting & Photography’, em: Art Monthly, London, no. 260, Outubro 2002, pp. 1-5, il.
- ___, ‘Kataloge und Publikationen aus Museen und Kunstvereinen’, em: Informationsdienst Kunst, Regensburg/D, no. 261, 26 de Setembro, 2002, p. 15
- Laureyns, Jeroen, ‘Nachtelijke wandelingen’, em: Tijd Cultuur, Brussel, 11 de Setembro, 2002, il.
- Queren, Henning,’ Im Dunkel taucht ein düsteres Venedig auf’, em: Neue Presse, 23 de Agosto, 2002
- Glanz, Alexandra, ‘Laub und Leere’, em: Hannoversche Allgemeine Zeitung, Hannover, 23 de Agosto, 2002
- Amitai, Paul, ‘David Claerbout’, em: New Art Examiner, Chicago, vol. 29, no. 5, Maio-Junho 2002, p. 99, il.
- Levin, Thomas Y., ‘Le tremblement de la représentation’, em: Les Cahiers du Mnam, Paris, Inverno 2001 – 2002, no. 78, p. 21
2001
- Auer, James, ‘Abstract photography creates mind-boggling delight at inova’, em: Milwaukee Journal Sentinel, 13 de Dezembro, 2001
- Lambrecht, Luk, ‘Het verlangen naar een (andere) plaats’, em: De Morgen, Brussels, 3 de Novembro, 2001
- Laureyns, Jeroen, ‘Terugkeer van de romantiek’, em: DeStandaard, Groot-Bijgaarden, 16 de Outubro, 2001, p. 16
- Dorn, Anja, ‘David Claerbout’, em: frieze, London, no. 61, Setembro-Outubro 2001, il.
- Erfle, Anne, ‘Stillstand in der Villa Corthout’, em: Süddeutsche Zeitung, Munich,  11 de Julho, 2001, p. 19
- Lucas, Jean, ‘S’agit-t-il réöllement du premier opéra?’, em: La Voix du Luxembourg, Luxembourg, 5 de Fevereiro, 2001
- Dumont-Mergeay, Martine, ‘ “Rappresentatione” hésitante’, em: La Libre Belgique, Brussels, 6 de Fevereiro, 2001, il.
- Lucas, Jean, ‘S’agit-t-il réöllement du premier opéra?’, em: La Voix du Luxembourg, Luxembourg, 5 de Fevereiro, 2001
- Reininghaus, Frieder, ‘Agitprop, katholisch. De’Cavalieris “Rappresentazione di Animoa et di Corpo” ‘, em: Frankfurter Allgemeine Zeitung, Frankfurt, 6 de Fevereiro, 2001, il.
- Jungheinrich, Hans-Klaus, ‘Unwiderleglichkeit des schönen Platonismus’, em: Frankfurter Rundschau, Frankfurt, 5 de Fevereiro, 2001, il.
- Maes, Frank, ‘belle comme la femme d’un autre’, em: Janus (BE), no. 7, 2001, il.
1999
- Matzer, Ulrike, ‘Salzburg: Elke Boon, Dirk Braekman, David Claerbout: “Interference: Locations in - -Memory and Time” ‘, em: Springerin, Vienna, vol. 5, no. 4, Inverno 1999
- Lambrecht, Luk, ‘De gestolde blik van David Claerbout’, em: DeMorgen, Brussels, 21 de Junho, 1999, p. 28, il.
- Doswald, Christoph, ‘Eingefrorene Zeit’, em: Neue Bildende Kunst, Berlin, no. 1/2, Fevereiro 1999, pp. 49-50, il.
1998
- Engel, Beate, [review], em: WOZ die Wochenzeitung, Zürich, Dezembro 1998
- Roelandt, Els, ‘Denken over de tijd’, em: Tijd-Cultuur, Berchem, 28 de Outubro, 1998, p. 18, il.
1997
- Willlemsen, Paul, ‘David Claerbout reanimeert oude beelden’, em: De Standaard, Groot-Bijgaarden, 30 de Setembro, 1997, p. 9

 

 

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