MNAC

entry: General Conditions

Against Death

(From:The Fourth Wall)

Clemens von Wedemeyer

2012-05-18
2012-06-17

The film Against Death was created as part of the project The Fourth Wall (2008-2010), whose title refers to the concept of 'fourth wall': a virtual wall between the audience and the stage or, more broadly, between the spectator and the fictional dimension of theatre, cinema or video.

When shown in conjunction with the other elements in this project, Against Death comes at the end of the exhibition, acting as an epilogue, although it can also work as an independent installation. Perhaps as a result, it represents a significant moment of synthesis and sublimation in a long process of investigation of the anthropological paradigm of ‘cultural contamination’, associated with the contact between indigenous communities and western civilisation.
For the presentation of Against Death in the Multipurpose Room at MNAC – Museu do Chiado, Clemens von Wedemeyer has included another two elements, which provide additional context for the The Fourth Wall project commissioned by  London’s Barbican Centre: the interview with Geoffrey Frand – How to Deal With The Uncontacted? (2009) and the First Contact newspaper. On encountering these interpretative clues, the spectator tends to invert the standard dichotomy “civilised/savage”, in response to the apparent breaking down of the antagonism between cultures of the past and contemporaneity.
The film presents a circular narrative, based on a dialogue between an anthropologist and an explorer, who attempts to demonstrate that he has become immortal after taking part in a strange indigenous ritual. However, if the theatricality of the suicide that is shown at the end appears to dispel the ambiguous relationship between documentary and fiction, doubt is quickly reintroduced when the narrative begins again at exactly the same point it ended, and the conversation restarts ...
Clemens von Wedemeyer thus confirms one of the most consistent features of his filmmaking: the appropriation of intrinsically cinematic resources – such as the loop – in order to create a discourse that explores the invisible barrier between the fiction of the cinema and the physical and cultural reality of the viewer.

Helena Barranha and Joachim Bernauer

Within this exhibition at MNAC-Museu do Chiado, the artist will give a conference on June 11, at 19.00, at Goethe Institute in Lisbon, where the film Against Death will be put in context  in The Fourth Wall Project, and the approach to issues as Anthropology, Theater and Cinema explained. The films "Found Footage" (2008-2009), 30 minutes, "The Gentle Ones" (2009), 28 min, will be presented. 

On Exhibition

Loops.Expanded 2026

2026-07-14
2026-10-03
Curatorship: Irit Batsry
MNAC – National Museum of Contemporary Art – Chiado and DuplaCena present, for the 11th consecutive year, an exhibition dedicated to the loop as a seminal form of the moving image.
Temporary Exhibition

On Gestures and Forms

A dialogue between collections

2026-06-18
2026-09-20
Curatorship: MNAA e MNAC
Works from the collections of Museu Nacional de Arte Antiga, Museu Nacional de Arte Contemporânea, and Fundação Millennium bcp, engage in a dialogue across different periods, materials, and approaches to artistic creation.
Temporary Exhibition

Alice Geirinhas

Sycorax

2026-05-29
2026-09-20
Curatorship: Lúcia Saldanha e Rui Afonso Santos
Sycorax is an installation of drawings that summons the absent and silenced figure of Sycorax, the witch and mother of Caliban, characters from "The Tempest" by William Shakespeare.
Temporary Exhibition

Ultratremor

Group show

2026-05-29
2026-09-27
Curatorship: Germano Dushá
Between the visible and the invisible, the exhibition brings together artists who explore states of transformation, apparition, and resonance, bringing matter, imagination, and spiritual experience into dialogue.
Temporary Exhibition

Maria José Oliveira

I who once was I

2026-05-15
2026-10-04
Curatorship: Paula Parente Pinto
Maria José Oliveira transforms everyday materials and discarded objects into territories of memory, ritual, and metamorphosis, where time itself becomes a living material of artistic creation.
Temporary Exhibition

Impressões Digitais. MNAC Collection

2024-12-12
2026-12-30
Curatorship: Ana Guimarães, Emília Ferreira, Maria de Aires Silveira e Tiago Beirão Veiga
Consisting of founding works of contemporary Portuguese art historiography, from 1850 to the present day, the MNAC's collection holds several national treasures.
Permanent Exhibition